This is a very complex question with many questions arising from its relationship to the cultural, linguistic and historical contexts in which it exists and from the cultural and linguistic traditions of society. In this paper, we have tried to put forward some broad categories for defining social dance. We have focused on the categories of dance as a cultural and linguistic practice and as an art form.
D. Dance
Dance consists of both physical acts such as the movements of bodies (i.e. dance) and mental and spiritual practices (i.e. meditation and mental training). This distinction between physical and mental acts of the dance may be seen when we compare the terms “movement in dance” and “movement as a thought process.” In one aspect, movement as a thought process refers to the movement of the body. A physical act that is in the moment of movement is called a “movement” in dance; an act of the body which is not in the moment is considered a “movement” in meditation.
In addition to the body, the mind is part of the social dance movement. This concept is central to modern dance (see D. F. Smith, Dancing the Dance Planet, New York: Random House, 1973). Dancing itself includes mental exercises, such as concentration, self-analysis, introspection and self-exploration. When a person concentrates, he or she considers various situations from the current time to the past and the future. For example, a person who is dancing might consider the present to be a good time to concentrate; when one concentrates and considers current events, one develops “inner balance” and is ready to make an informed decision about future events.
At this stage, the dancer knows what is about to happen and what is happening in the dance, and these two concepts are mutually interrelated. But this is just the beginning of the dance. The most important thing is that “the dance is the present” (Smith, 1977).
Cultural context also defines the different kinds of dance. The first type of dancing as we understand it is performed by native people or migrants in certain countries or areas. It takes place outside a formal framework in the context of a certain culture. In Japan (such as in Kyoto), for instance, people dance along and over the street. In North America, such as in Montreal, certain types of dance are performed for certain social functions, such as weddings. The dances of these societies are considered to be forms of cultural expression and in many
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